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Discover the story behind this artwork
Discover the Portrait of the Textile Manufacturer Carl Lewin, a masterful work signed by the illustrious Max Liebermann, embodying the very essence of early 20th-century German art. This painting, created in 1922, is a brilliant illustration of Liebermann’s skill in blending realism and expressionism, capturing the soul of his subject with remarkable precision and vitality. The work highlights Carl Lewin’s piercing gaze, symbolizing the growing importance of the textile industry during this pivotal era.
In the artistic context of 1920s Germany, Max Liebermann stands out for his ability to depict not only human figures but also significant historical moments. The portrait of Carl Lewin is a vibrant testament to a time when art and industry intersected, offering a window into the booming industrial world. This painting is part of Liebermann’s rich collection of works, alongside other masterpieces such as Samson and Delilah (1902), Am Strand von Noordwijk (1908), and Pferderennen in den Cascinen (1909). To explore more of his artistic legacy, visit all works by Max Liebermann.
Acquiring an art print of the Portrait of the Textile Manufacturer Carl Lewin is not merely an aesthetic addition to your collection; it is an invitation to immerse yourself in the fascinating world of Max Liebermann. This work brings timeless sophistication to any space, whether a modern office or a personal art gallery. It enriches your interior while evoking deep emotions and daily inspiration. Let yourself be captivated by the beauty and history of this unique piece, and make your space a tribute to art and history.
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Frequently Asked Questions
We do not keep stock and print your artworks upon receipt of your order. This allows us to offer the best prices and avoid wasting natural resources.
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Our frames measure 1.7 cm on each side. For a 40x60 cm painting, the total framed size is therefore 43.4 x 63.4 cm.
Canvas 100% polyester (285 g/m²), UV-resistant and solvent-free inks, safe for children and allergy sufferers. The canvases are mounted on a 2 cm thick wooden frame (4 cm for very large formats).
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