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Discover the timeless majesty of the Painting Fruela II of Asturias, king of Asturias, from 910 to 925 by the talented Léon Bonnat. This captivating art print captures the essence of a king whose reign profoundly shaped the medieval history of Spain. Bonnat, master of realism and romanticism, depicts Fruela II with remarkable psychological depth, revealing a royal figure imbued with dignity and determination. The meticulous details of the royal crown and sumptuous draperies, paired with a rich color palette, confer upon the work an atmosphere of grandeur and nobility.
Léon Bonnat, an eminent 19th-century artist, stood out for his ability to immortalize his subjects with unparalleled precision and sensitivity. Trained in Paris, he managed to blend the influences of realism and romanticism to create a style that is truly his own. By choosing to depict Fruela II, Bonnat pays homage to a crucial moment in the history of Asturias, offering a precious artistic testament of that era. To discover other works by this artist, explore all works by Léon Bonnat.
Acquiring this art print of Fruela II of Asturias will enrich not only your art collection but also bring a touch of historical sophistication to your interior. This painting fits perfectly into a decorative setting, blending aesthetics and history. To complete your collection, we also invite you to discover an Egyptian peasant woman and her child, a Roman girl by a fountain, and Christ on the cross, all remarkable works by Léon Bonnat that will enchant even the most discerning art lovers.
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Frequently Asked Questions
We do not keep stock and print your artworks upon receipt of your order. This allows us to offer the best prices and avoid wasting natural resources.
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Our frames measure 1.7 cm on each side. For a 40x60 cm painting, the total framed size is therefore 43.4 x 63.4 cm.
Canvas 100% polyester (285 g/m²), UV-resistant and solvent-free inks, safe for children and allergy sufferers. The canvases are mounted on a 2 cm thick wooden frame (4 cm for very large formats).
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